Johnny Winter - Johnny Winter[Flac Cue][TntVillage]
- Type:
- Audio > FLAC
- Files:
- 16
- Size:
- 187.43 MiB (196535825 Bytes)
- Uploaded:
- 2014-05-01 23:00:36 GMT
- By:
- leonenero
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- 8
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- Info Hash: 60D32287C8F0ED6472D6703AFFB8AF4FC3E1A9B4
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Artist...............: Johnny Winter Album................: Johnny Winter Genre................: Blues Source...............: CD Year.................: 1969 Ripper...............: Exact Audio Copy (Secure mode) & Acer CD-R/RW 4X4X32 Codec................: Free Lossless Audio Codec (FLAC) Version..............: reference libFLAC 1.2.1 20070917 Quality..............: Lossless, (avg. compression: 54 %) Channels.............: Stereo / 44100 HZ / 16 Bit Tags.................: VorbisComment Information..........: TntVillage Ripped by............: leonenero on 01/05/2014 Posted by............: leonenero on 01/05/2014 News Server..........: news.astraweb.com News Group(s)........: alt.binaries.sounds.flac.full_TntVillage Included.............: NFO, M3U, LOG, CUE Covers...............: Front Back CD --------------------------------------------------------------------- Tracklisting --------------------------------------------------------------------- 1. I'm Yours and I'm Hers [04.33] 2. Be Careful With a Fool [05.17] 3. Dallas [02.48] 4. Mean Mistreater [03.53] 5. Leland Mississippi Blues [03.32] 6. Good Morning LIttle Schoolgirl [02.45] 7. When You Got a Good Friend [03.41] 8. I'll Drown in My Tears [04.46] 9. JBack Door Friend [02.56] Playing Time.........: 34.15 Total Size...........: 187,21 MB This 1969 album is one of Johnny Winter's best and bluesiest. Here he is at 25, backed by Tommy Shannon (Stevie Ray Vaughan's bass player in the 80s), drummer John Turner, and occationally his brother Edgar (Winter's brother, not Turner's!) on piano and saxophone. Chess stalwart Willie Dixon even pays a visit, as does harmonica ace Walter Horton who blows the harp on a great "Mean Mistreater". While most every other white blues singer in the late 60s was trying to make the blues more palatable to the mainstream pop audience by toning it down a little, Winter makes no concessions to pop sensibility at all. His guitar playing is pure and savage, yet he never resorts to meaningless shredding, and his prowess on the acoustic slide guitar is impressive...just listen to his self-penned "Dallas", a perfectly authentic slice of Delta blues. There is barely a weak track on this fine record. Contained here is some of the best and certainly most authentic blues ever recorded by a white bluesman, and "Johnny Winter" is the perfect introduction to the albino guitarist, as well as being one of his two or three best albums.
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